Перевод и анализ слов искусственным интеллектом ChatGPT
На этой странице Вы можете получить подробный анализ слова или словосочетания, произведенный с помощью лучшей на сегодняшний день технологии искусственного интеллекта:
- как употребляется слово
- частота употребления
- используется оно чаще в устной или письменной речи
- варианты перевода слова
- примеры употребления (несколько фраз с переводом)
- этимология
Что (кто) такое ink receptive areas - определение
![''[[Cryptococcus neoformans]]'' stained with light India ink](https://commons.wikimedia.org/wiki/Special:FilePath/Cryptococcus neoformans using a light India ink staining preparation PHIL 3771 lores.jpg?width=200 "''[[Cryptococcus neoformans]]'' stained with light India ink")
![A solid [[ink stick]] used for the preparation of ink](https://commons.wikimedia.org/wiki/Special:FilePath/Inkstick.jpg?width=200 "A solid [[ink stick]] used for the preparation of ink")
 in svg.svg?width=200)
![National Treasure]].](https://commons.wikimedia.org/wiki/Special:FilePath/Hasegawa Tohaku - Pine Trees (Shōrin-zu byōbu) - right hand screen.jpg?width=200 "National Treasure]].")
![t=茂林遠岫圖}}) (detail), ink and light color on silk, dimensions are 46.0 x 298.0 cm, 10th century China. Collected by [[Liaoning Provincial Museum]].](https://commons.wikimedia.org/wiki/Special:FilePath/Li Cheng, Luxuriant Forest among Distant Peaks.jpg?width=200 "t=茂林遠岫圖}}) (detail), ink and light color on silk, dimensions are 46.0 x 298.0 cm, 10th century China. Collected by [[Liaoning Provincial Museum]].")
![Ink brush with golden dragon design, used by the Ming [[Wanli Emperor]] (1563-1620), China.](https://commons.wikimedia.org/wiki/Special:FilePath/CMOC Treasures of Ancient China exhibit - calligraphy brush with dragon design.jpg?width=200 "Ink brush with golden dragon design, used by the Ming [[Wanli Emperor]] (1563-1620), China.")
![Reconstruction of Emperor [[Qianlong]]'s (1711–1799) writing table, China.](https://commons.wikimedia.org/wiki/Special:FilePath/Ink brush-xiangshan.jpg?width=200 "Reconstruction of Emperor [[Qianlong]]'s (1711–1799) writing table, China.")
![Murata Seimin (1761–1837), Brush rest in the shape of a [[praying mantis]], circa 1800 (late Edo), Medium: bronze, Dimensions: 18 cm (7 in), Japan. Collected By the [[Walters Art Museum]].](https://commons.wikimedia.org/wiki/Special:FilePath/Murata Seimin - Brush Rest in the Shape of a Praying Mantis - Walters 541323.jpg?width=200 "Murata Seimin (1761–1837), Brush rest in the shape of a [[praying mantis]], circa 1800 (late Edo), Medium: bronze, Dimensions: 18 cm (7 in), Japan. Collected By the [[Walters Art Museum]].")
![labels=no}}), ink and light color on silk, 10th century, the [[Five Dynasties]] (Chinese). [[National Palace Museum]], Taipei.](https://commons.wikimedia.org/wiki/Special:FilePath/Dong Yuan Mountain Hall.jpg?width=200 "labels=no}}), ink and light color on silk, 10th century, the [[Five Dynasties]] (Chinese). [[National Palace Museum]], Taipei.")
![[[Dong Yuan]], ''Jiangnan Summer View'', ink and light color on silk, 10th century, the [[Five Dynasties]], China. [[Liaoning Provincial Museum]].](https://commons.wikimedia.org/wiki/Special:FilePath/Dong Yuan. Jiangnan Summer View. 50х320см. Liaoning Provincial Museum.jpg?width=200 "[[Dong Yuan]], ''Jiangnan Summer View'', ink and light color on silk, 10th century, the [[Five Dynasties]], China. [[Liaoning Provincial Museum]].")
![abbr=on}}. 11th century, China. [[Nelson-Atkins Museum of Art]].](https://commons.wikimedia.org/wiki/Special:FilePath/Li Cheng,temple boudhiste dans les montagnes.jpg?width=200 "abbr=on}}. 11th century, China. [[Nelson-Atkins Museum of Art]].")
![abbr=on}}. 11th century, China.Ebrey, ''Cambridge Illustrated History of China'', 162. [[National Palace Museum]], TaipeiLiu, 50.](https://commons.wikimedia.org/wiki/Special:FilePath/Fan Kuan - Travelers Among Mountains and Streams - Google Art Project.jpg?width=200 "abbr=on}}. 11th century, China.Ebrey, ''Cambridge Illustrated History of China'', 162. [[National Palace Museum]], TaipeiLiu, 50.")
![Early Spring]]'', signed and dated 1072, ink and light lolor on silk. 11th century, China. Hanging scroll, ink and color on silk. [[National Palace Museum]], Taipei.](https://commons.wikimedia.org/wiki/Special:FilePath/Guo_Xi_-_Early_Spring_(large).jpg?width=200 "Early Spring]]'', signed and dated 1072, ink and light lolor on silk. 11th century, China. Hanging scroll, ink and color on silk. [[National Palace Museum]], Taipei.")
![Guo Xi, ''Ping Yuan Tu'' (窠石平遠圖), 1078, ink and light lolor on silk, China. Collected by the [[Palace Museum]], Beijing.](https://commons.wikimedia.org/wiki/Special:FilePath/Guo Xi Gugun 11.jpg?width=200 "Guo Xi, ''Ping Yuan Tu'' (窠石平遠圖), 1078, ink and light lolor on silk, China. Collected by the [[Palace Museum]], Beijing.")
![abbr=on}}, collected in Daitokuji, Kyoto, Japan. Designated [[National Treasure]].](https://commons.wikimedia.org/wiki/Special:FilePath/Guanyin, Monkeys, and Crane.jpg?width=200 "abbr=on}}, collected in Daitokuji, Kyoto, Japan. Designated [[National Treasure]].")
![t=秋山暮靄圖}}), ink and color on Xuan paper mounted on hanging scroll, 13th century, China. Collected by the [[Palace Museum]], Beijing.](https://commons.wikimedia.org/wiki/Special:FilePath/Gao Kegong Evening Clouds.jpg?width=200 "t=秋山暮靄圖}}), ink and color on Xuan paper mounted on hanging scroll, 13th century, China. Collected by the [[Palace Museum]], Beijing.")
![t=富春山居圖}}, ink on Xuan paper, 1348 and 1351, collected by [[National Palace Museum]], Taipei.](https://commons.wikimedia.org/wiki/Special:FilePath/富春山居圖(無用師卷).jpg?width=200 "t=富春山居圖}}, ink on Xuan paper, 1348 and 1351, collected by [[National Palace Museum]], Taipei.")
![[[Huang Gongwang]], ''Stone Cliff at the Pond of Heaven'', 1341, ink and light lolor on silk, China. Collected by [[Palace Museum]], Beijing.](https://commons.wikimedia.org/wiki/Special:FilePath/Huang Gongwang. Stone Cliff at the Pond of Heaven.1341. 139,4x57,3. Palace Museum, Beijing.jpg?width=200 "[[Huang Gongwang]], ''Stone Cliff at the Pond of Heaven'', 1341, ink and light lolor on silk, China. Collected by [[Palace Museum]], Beijing.")
![t=六君子圖}}), ink on Xuan paper mounted on hanging scroll, dimensions: W 33.3 cm, H 61.9 cm, 1345, China. Collected by [[Shanghai Museum]].](https://commons.wikimedia.org/wiki/Special:FilePath/Ni Zan - Six Gentlemen.jpg?width=200 "t=六君子圖}}), ink on Xuan paper mounted on hanging scroll, dimensions: W 33.3 cm, H 61.9 cm, 1345, China. Collected by [[Shanghai Museum]].")
![t=秋林野興圖}}), medium: hanging scroll; ink on Xuan paper, dimensions: 38 5/8 × 27 1/8 in. (98.1 × 68.9 cm), 1339, China. Collected by [[Metropolitan Museum of Art]].](https://commons.wikimedia.org/wiki/Special:FilePath/Ni Zan - Enjoying the Wilderness in an Autumn Grove - 1989.363.38 - Metropolitan Museum of Art.jpg?width=200 "t=秋林野興圖}}), medium: hanging scroll; ink on Xuan paper, dimensions: 38 5/8 × 27 1/8 in. (98.1 × 68.9 cm), 1339, China. Collected by [[Metropolitan Museum of Art]].")
![abbr=on}}, collected by [[Tokyo National Museum]].](https://commons.wikimedia.org/wiki/Special:FilePath/Liang Kai-Shakyamuni Emerging from the Mountains.jpg?width=200 "abbr=on}}, collected by [[Tokyo National Museum]].")
![labels=no}}), ink and light lolor on silk, 13th century, Southern Song (Chinese), [[Palace Museum]], [[Beijing]].](https://commons.wikimedia.org/wiki/Special:FilePath/Ma Yuan - Dancing and Singing- Peasants Returning from Work.jpg?width=200 "labels=no}}), ink and light lolor on silk, 13th century, Southern Song (Chinese), [[Palace Museum]], [[Beijing]].")
![Detail from the hand scroll ''Pure and Remote View of Streams and Mountains'', ink on Xuan paper, one of [[Xia Gui]]'s most important works, 13th century China. collected by National Palace Museum, Taipei.](https://commons.wikimedia.org/wiki/Special:FilePath/Xia Gui, Streams and Mountains with a Clear Distant View, detail.jpg?width=200 "Detail from the hand scroll ''Pure and Remote View of Streams and Mountains'', ink on Xuan paper, one of [[Xia Gui]]'s most important works, 13th century China. collected by National Palace Museum, Taipei.")
![t=風雨行舟圖}}, ink and light colors on silk, 23.9 × 25.1 cm (9.4 × 9.8 in), 13th century China. Collected by [[Boston Museum of Fine Arts]].](https://commons.wikimedia.org/wiki/Special:FilePath/Xia Gui - Sailboat in Rainstorm.jpg?width=200 "t=風雨行舟圖}}, ink and light colors on silk, 23.9 × 25.1 cm (9.4 × 9.8 in), 13th century China. Collected by [[Boston Museum of Fine Arts]].")
![labels=no}}), ink and light color on silk, 13th century, Yuan Dynasty (Chinese). [[Tokyo National Museum]].](https://commons.wikimedia.org/wiki/Special:FilePath/ShiDe by Yan Hui.jpg?width=200 "labels=no}}), ink and light color on silk, 13th century, Yuan Dynasty (Chinese). [[Tokyo National Museum]].")
![t=廬山高}}), Ming dynasty, 1467 (明 成化丁亥), Medium: Hanging scroll, ink and colors on Xuan paper, Dimensions: 193.8 × 98.1 cm (height × width), China. Collected by [[National Palace Museum]].](https://commons.wikimedia.org/wiki/Special:FilePath/Lofty Mt.Lu by Shen Zhou.jpg?width=200 "t=廬山高}}), Ming dynasty, 1467 (明 成化丁亥), Medium: Hanging scroll, ink and colors on Xuan paper, Dimensions: 193.8 × 98.1 cm (height × width), China. Collected by [[National Palace Museum]].")
![c=朱耷}}, 1626–1705), ''Lotus and Birds'', ink on Xuan paper, 17th century, Qing Dynasty, China, [[Shanghai Museum]].](https://commons.wikimedia.org/wiki/Special:FilePath/Lotus and Birds by Zhu Da.jpg?width=200 "c=朱耷}}, 1626–1705), ''Lotus and Birds'', ink on Xuan paper, 17th century, Qing Dynasty, China, [[Shanghai Museum]].")
![labels=no}}, 1642–1707), ''Pine Pavilion Near a Spring'', ink on Xuan paper, 1675, China. The collection of the [[Shanghai Museum]].](https://commons.wikimedia.org/wiki/Special:FilePath/ShiTao-Pine Pavilion Near A Spring.jpg?width=200 "labels=no}}, 1642–1707), ''Pine Pavilion Near a Spring'', ink on Xuan paper, 1675, China. The collection of the [[Shanghai Museum]].")
 山水圖 冊-Searching for Immortals MET DP162813.jpg?width=200 "Shitao, ''Searching for Immortals'', ink and light color on paper, 17th century, China. The collection of the Metropolitan Museum of Art.")
![t=黃慎}}, 1687–1772) (one of the [[Eight Eccentrics of Yangzhou]]), ''Firsherman and Fisherwoman'', ink on Xuan paper, 18th century, Qing Dynasty, China, collection of the [[Nanjing Museum]].](https://commons.wikimedia.org/wiki/Special:FilePath/Fisherman and Fisherwoman by Huang Shen.jpg?width=200 "t=黃慎}}, 1687–1772) (one of the [[Eight Eccentrics of Yangzhou]]), ''Firsherman and Fisherwoman'', ink on Xuan paper, 18th century, Qing Dynasty, China, collection of the [[Nanjing Museum]].")
![t=東戰場的烈焰}}, ink and color on Xuan paper, 1930s, 166 x 92 cm. [[Lingnan School]] of Painting in Guangzhou Museum of Art, China.](https://commons.wikimedia.org/wiki/Special:FilePath/高劍父1.jpg?width=200 "t=東戰場的烈焰}}, ink and color on Xuan paper, 1930s, 166 x 92 cm. [[Lingnan School]] of Painting in Guangzhou Museum of Art, China.")
![[[Kanō Masanobu]], ''The Four Accomplishments'', ink and light lolor on silk, 67 in. × 12 ft. 6 in. (170.2 × 381 cm), mid-16th century, Japan. Collected by the Metropolitan Museum of Art.](https://commons.wikimedia.org/wiki/Special:FilePath/Kano_Motonobu_狩野元信,_The_Four_Accomplishments,_mid-16th_century.jpg?width=200 "[[Kanō Masanobu]], ''The Four Accomplishments'', ink and light lolor on silk, 67 in. × 12 ft. 6 in. (170.2 × 381 cm), mid-16th century, Japan. Collected by the Metropolitan Museum of Art.")
![[[Ahn Gyeon]], ''Late Winter'' (만동), ink on silk, 15th century. Korea.](https://commons.wikimedia.org/wiki/Special:FilePath/Ahn Gyeon-sasipalgyeongdo 8 mandong late winter.jpg?width=200 "[[Ahn Gyeon]], ''Late Winter'' (만동), ink on silk, 15th century. Korea.")
![Sesshū, ''Landscape'', Mountain landscapes are by far the most common scenes depicted in ink wash [[landscape painting]]s, Japan.](https://commons.wikimedia.org/wiki/Special:FilePath/Landscape by Sesshu (Ohara).jpg?width=200 "Sesshū, ''Landscape'', Mountain landscapes are by far the most common scenes depicted in ink wash [[landscape painting]]s, Japan.")
![[[Ike no Taiga]], ''Fishing in Springtime'', ink and light color on silk, 1747, Japan. Collected by [[Cleveland Museum of Art]].](https://commons.wikimedia.org/wiki/Special:FilePath/Ikeno Taiga 001.jpg?width=200 "[[Ike no Taiga]], ''Fishing in Springtime'', ink and light color on silk, 1747, Japan. Collected by [[Cleveland Museum of Art]].")
![Ike no Taiga, ''Orchids'', between 1723 and 1776, ink on Xuan paper, Japan. Collected by [[Metropolitan Museum of Art]].](https://commons.wikimedia.org/wiki/Special:FilePath/Ike Taiga - Orchids - 1975.268.94 - Metropolitan Museum of Art.jpg?width=200 "Ike no Taiga, ''Orchids'', between 1723 and 1776, ink on Xuan paper, Japan. Collected by [[Metropolitan Museum of Art]].")
![[[Kim Hong-do]], ''Gunseondo'' (군선도, 群仙圖), ink and color on Xuan paper, 1776, Korea.](https://commons.wikimedia.org/wiki/Special:FilePath/Gunseondo.jpg?width=200 "[[Kim Hong-do]], ''Gunseondo'' (군선도, 群仙圖), ink and color on Xuan paper, 1776, Korea.")
![[[Jang Seung-eop]], ''Double Eagle'', ink on Xuan paper, 19th century, Korea.](https://commons.wikimedia.org/wiki/Special:FilePath/Owon-Hochwido.jpg?width=200 "[[Jang Seung-eop]], ''Double Eagle'', ink on Xuan paper, 19th century, Korea.")
Википедия
The receptive field, or sensory space, is a delimited medium where some physiological stimuli can evoke a sensory neuronal response in specific organisms.
Complexity of the receptive field ranges from the unidimensional chemical structure of odorants to the multidimensional spacetime of human visual field, through the bidimensional skin surface, being a receptive field for touch perception. Receptive fields can positively or negatively alter the membrane potential with or without affecting the rate of action potentials.
A sensory space can be dependent of an animal's location. For a particular sound wave traveling in an appropriate transmission medium, by means of sound localization, an auditory space would amount to a reference system that continuously shifts as the animal moves (taking into consideration the space inside the ears as well). Conversely, receptive fields can be largely independent of the animal's location, as in the case of place cells. A sensory space can also map into a particular region on an animal's body. For example, it could be a hair in the cochlea or a piece of skin, retina, or tongue or other part of an animal's body. Receptive fields have been identified for neurons of the auditory system, the somatosensory system, and the visual system.
The term receptive field was first used by Sherrington in 1906 to describe the area of skin from which a scratch reflex could be elicited in a dog. In 1938, Hartline started to apply the term to single neurons, this time from the frog retina.
This concept of receptive fields can be extended further up the nervous system. If many sensory receptors all form synapses with a single cell further up, they collectively form the receptive field of that cell. For example, the receptive field of a ganglion cell in the retina of the eye is composed of input from all of the photoreceptors which synapse with it, and a group of ganglion cells in turn forms the receptive field for a cell in the brain. This process is called convergence.
Receptive fields have been used in modern artificial deep neural networks that work with local operations.
